member of:Observers of the Interdependence of Domestic Objects and Their Influence on Everyday Life


This group has been active for a long time and has already made some remarkable assertions which render life simpler from the practical point of view. For example, I move a pot of green color five centimeters to the right, I push in the thumbtack beside the comb and if Mr. A (another adherent like me) at this moment puts his volume about bee-keeping beside a pattern for cutting out vests, I am sure to meet on the sidewalk of the avenida Madero a woman who intrigues me and whose origin and address I never could have known...
--Remedios Varo


(Slideshow is of Artwork by Remedios Varo)
By believing passionately in something that still does not exist, we create it. The nonexistent is whatever we have not sufficiently desired.
--Franz Kafka

Showing posts with label abelardo morell. Show all posts
Showing posts with label abelardo morell. Show all posts

Sunday, November 15, 2009

Dream Detective, Part II


photo by Abelardo Morell

(Part One is here).


photo by Abelardo Morell

He’s not even gone long enough for water to boil, and he comes back with two steaming mugs. He sets mine down in front of me and eases into his chair. It’s not just that he’s a slouch, you can see that he dreads this almost as much as I do. I almost feel sorry for the guy.
I look at the pale tea.
“Don’t you want to ask me anything?” I say, trying to help him out.
He drums his fingers some more, this time on the edge of his desk. “Well,” he says, looking pointedly at my tea. He gestures sort of over-casually towards it. “Well,” he repeats, “actually, no.”
I stare.
He returns to drumming.
I sniff at the tea suspiciously. It has no scent. “Are you going to drink yours?” I ask, probably not very politely.
He almost smiles. “Do you want to dream with me, or do you want me to dream with you?” he asks.
I don’t even want to dissect the question, so I decide to just throw in. I take my first sip. It tastes like it smells, which at least kills one source of anxiety. He immediately looks away, towards the window.
I try to focus on the fact that he isn’t simperingly sympathetic, that he doesn’t try to pull little tears out of me or lip-sync all the standard concerned lines regarding the state of my soul or spirit. I try to focus on his obvious leanings towards being a wise-ass, on the fact that the good calming Doctor Saromi loses all pretensions of self-control at the mere mention of his name. I try to focus on anything other than what this is, which is me drinking warmed-up nothing with this obviously unhinged individual who thinks we’re going to spend the night together on some other plane of existence.
It occurs to me that I might not look like me when I’m dreaming, and one thought leads to another until I’m snickering alone in my chair like I’m the one with a weak grasp on my surroundings.
He keeps drumming on the table.
“Should we have a secret handshake or something,” I snigger, trying to regain some kind of control. “You know, what if I don’t recognize you or something?”
He doesn’t answer right away. He slugs his tea like he’s trying to believe it’s really what he wishes it was. Then he turns to me, wiping his mouth on the back of his hand, and he says, “I’ll know you. Trust me,” he says, and he grins, kind of maniacally. “I know what I’m doing.”

********

Technically, my end also requires no sleeping aids, but really, all rules are just suggestions. The path I walk creaks loudly when unoiled, making the mere idea of detective work a farce. So this lady can smell my medicine. It only means she’s conscious.
From the moment she leaves my office, I begin preparing for bed: I open the cabinet.


If only she had chosen to dream with me, now there would be something to look forward to.


photo by Abelardo Morell



*Note: All photos in this post are by Abelardo Morell, an expert at showing two worlds in one place, particularly through the "camera obscura" technique. Fiction by Zoe Jordan.

Friday, March 20, 2009

Wonderland

Finally, a more complete collection of Maggie Taylor's photography which helped inspire this site (from Athina on imeem):



and also Abelardo Morell's (zoe on imeem):


enjoy!

Thursday, February 26, 2009

On Alice in Wonderland

Because we should all take as many trips down the rabbit hole as possible...






Maggie Taylor's photography (and her website) has that mysterious, impossible feel to it that lends itself well to Alice in Wonderland. The book "Maggie Taylor's Landscape of Dreams" is also oddly fascinating.











you can see more of her work here:
http://www.fineartphotography-online.com/02/artphotogallery/home.html
and here:
http://www.maggietaylor.com/

Another excellent interpreter of Alice in Wonderland, but in an entirely different vein, and in black and white, is Abelardo Morell.








He also uses a technique called camera obscura, which is when a room is closed off except for a pinprick of light from the outside, and a large format camera is left with an open shutter for a long period of time. The effect is, to me, like a visualization of the modern theories in physics which suggest that many realities are occurring in the same space, that parallel universes overlap. It just takes a very intense sort of visual ability to perceive them...










That they are set in bedrooms adds a dream-like quality: if you were lying down in the bed, maybe with your eyes closed, this is what you would see...


And then, I love his photos of the Romeo and Juliet set at the Met:





You can see more of his work here:
http://www.abelardomorell.net/index.html

And then, if you need more help getting past Newtonian Physics, Economic Laws, and other Useless Rules, I recommend Haruki Murakami's "Hard-Boiled Wonderland and the End of the World."



You can get an impression of him here:
http://www.randomhouse.com/features/murakami/site.php



Also, not to make this endless, but one must have the proper chess set for this sort of event, and it has been made my Gil Bruvel:





It is the mechanical world versus the natural, organic world, and the artist makes it quite difficult to decide.